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Vikings Arrive In America - Again!
by William W.
Fitzhugh
The discovery of the New World by
Leif Eriksson one thousand years ago will be celebrated this year
when Vikings: The North Atlantic Saga opens at the
Smithsonian lnstitution's National Museum of Natural History on
April 29, 2000. Eight years after the 500th anniversary of
Christopher Columbus' first voyage to the Caribbean, the exhibition
seeks to educate the North American public about an earlier episode
of European history in the New World by focusing attention on thecontributions made by the Vikings and their Norse
descendants, who continue to inhabit North Atlantic regions into
the modern day.
It turns out that educating the
public about the Vikings and their relevance to North America is
more necessary than one might imagine. North Americans know
surprisingly little about this subject, even though it is one of
the most popular topics taught in secondary schools (right after
the history of Ancient Egypt, Greece and Rome, and American
Indians). What little is presented about Vikings in North
American
schools only serves to reinforce
the stereotypic view of Vikings as crazed warriors bent on mayhem
and destruction as they careen about the coasts of Europe in their
"dragon-ships," harrying defenseless monasteries, laying siege to
towns and cities, and carrying off plunder and slaves to their
homelands in Scandinavia. This image has been reinforced by movies,
such as the famous Kirk Douglas and Tony Curtis film The
Vikings, and by the antics of the Minnesota Vikings football
team, whose half-time shows draw heavily upon this widely-shared
but one-dimensional view of the Vikings, who thank goodness - are
safely back in the historical locker where they can't take issue
with our misapprehensions.
Battling the Dominant
Stereotype
Indeed, there is much to offer in
the way of educating the American public about the Vikings, even if
we were to confine our attention to their European role. For
starters, that most ubiquitous of Viking symbols - the horned
helmet - was never worn by Vikings. It is seen in only one dubious
illustration: a faded tapestry found in the famous Viking period
Oseberg ship burial from Oslo Fjord in Norway. Horned helmets were
used by earlier Bronze Age peoples of Europe and Scandinavia, and
some spectacular helmets have been found, but all date more than
one thousand years earlier than the Viking Age, AD 750-1050. The
latter was a dynamic period when literacy, Christianity, and the
concept of nationhood were beginning to take hold in these northern
European regions. The old Norse religion, which had dominated the
spiritual lives of the Nordic peoples for hundreds of years,
included such figures as Thor, Odin, Frey and many others, none of
whom wore horns. Like many features that emerge from the domain of
popular culture, the origin of this icon is somewhat mysterious but
is thought to be related to 19th century Nordic nationalism
and its Germanic roots.
The dominant Viking stereotype,
now ubiquitous in both Europe and America, concerns what was
beneath the helmet! The image of the gnarled, bearded,
beetle-browed Viking warrior slashing his way through the
undefended monasteries, towns, coasts, and countrysides of the
British Isles and Western Europe has been especially popular in
recent years. Over one thousand years ago, the horrified monks and
abbots who had seen Viking barbarians at their worst preserved in
their writings the memory of those depredations, beginning with the
famous Viking raid on Lindesfarne in northeastern England in 793.
This raid certainly took place, and many more followed over the
next two hundred years, but over time, the nature of Viking
interaction with Europe and the British Isles changed. Vikings
began to settle in territory they conquered there and along the
coasts and rivers of Western Europe. While they still harried the
populace and extorted danegeld as payment for not ransacking their
neighbors, gradually they married in, set up farms and became much
like everyone else. In this way much of northern Scotland, northern
England, parts of Ireland, and especially Normandy, came under the
sway of the Vikings and their mixed-ethnic descendants. Even some
of the early kings of England were Vikings, in addition to William
the Conquerer, the Viking leader of the Norman invasion of England
in 1066.
Authenticating
Travelers'Tales
New views of Vikings are a direct
result of recent archaeological research, which has uncovered
information that did not exist in European historical records.
(Vikings themselves, even though they used a runic alphabet and
made runic inscriptions on wood and rock, did not make maps or keep
historical records per se; thus what we know about the Vikings in
their homelands has come only from the reports of outsiders like
Adam of Bremen or the Arabian traveler, Ibn Fadlan.) Excavations at
Viking sites in Dublin and York, where the Vikings established the
first urban centers in what had previously been an agrarian
society, have shown Vikings to be as effective in changing the
economy of the British Isles in their capacity as farmers, traders,
and politicians as they had been earlier as warriors and
plunderers.
A similar story is emerging from
the Continent. These changes were also influencing life in
Scandinavia, where the loot, the ideas, and the slaves that Vikings
brought home also provided impetus for internal change, stimulating
the growth of Nordic kingdoms, trade centers, and the introduction
of Christianity. New research has also shown that even the Viking
warrior of the early Viking Age was not the single-minded brute of
today's comic-strips. Surely what was there for the taking was
taken - after all, it was easier than haggling over a price - but
not everything was won by the sword. Viking warriors were also
astute businessmen and politicians who stimulated European trade,
helped the development of national kingdoms, and made important
contributions to literature, poetry, and art.
The greatest exemplars of Vikings
as traders and mercenaries come from the stories of those Vikings,
mostly from Sweden, Gotland, and other Baltic regions, who
navigated the Russian rivers and traveled south to Kiev, the Black
Sea, and who even reached Baghdad and the Caspian Sea, long before
the Crusades brought other Europeans into the eastern
Mediterranean. This remarkable tale, well-documented in the records
of Arabic travelers like lbn Fadlan (ca. 922) is beginning to yield
to archaeological studies as well. Excavations at Birka, a huge
Viking trade site in eastern Sweden, at Staraya Ladoga near St.
Petersburg, and at Novgorod and Kiev show extensive Viking trade
along this Eastern Route. It is believed that the term "Rus" was
originally the name of a Norse trible and that Vikings became the
first kings of Kiev. Unfortunately, these tales could not be
included in our Viking exhibition and need to be explored through
future Nordic-Russian collaboration.
Unraveling the Oral
Histories
In Europe, the new research
replacing the Viking image (derived mostly from historical accounts
of their misdeeds) was publicized in scholarly books and touring
exhibitions, such as Viking to Crusader (1992). Meanwhile, a
new wave of Viking research was gathering steam to the west in
areas settled by the "West-Vikings." Here researchers confronted a
slightly different problem: Rather than having to counter the
Viking image created by Viking victims, it was necessary to
penetrate a Viking stereotype of their own making. The story of the
West-Vikings (those who left their homelands and made new lives
among the islands of the North Atlantic) is known not from the pens
of clerics and courtly scribes but from the oral histories and
stories known as "sagas," told by the descendants of these Viking
pioneers, which were written down in Iceland beginning in the 13th
century. It was this story - the exploration and settlement of the
North Atlantic - so little-known both in Europe and in North
America - that we chose as the core of the current exhibition
project.
The fact that Vikings explored and
settled the North Atlantic islands and Greenland, and briefly
explored portions of North America has been known since the early
19th century As the sagas, written in medieval Icelandic, began to
be translated and made available outside of Iceland scholars
quickly recognized that such stories as the Saga of Erik the Red
and the Saga of the Greenlanders, which describe the settlement of
Greenland and explorations in Vinland, were not simply literary
fancy but were at least quasi-historical documents. Later, records
came to light in Europe confirming Viking expansion across the
North Atlantic, beginning with Norwegian Viking settlements in the
Shetlands and northern British Isles, and from Viking settlements
in both places to the Faeroes, Iceland, and beyond.
Finding Evidence of North
Atlantic Travels
As illuminating as these sagas and
historical records were, there was little corroborating evidence
until archaeological studies began in the late 19th century. By the
1960s excavations had demonstrated abundant evidence of Viking
settlement throughout the region. The most extensive studies were
in Greenland, where the mysterious disappearance of the Norse
colonies had been a subject of curiosity since the early 1700s.
Archaeology at Viking and Norse sites in the Shetlands, Faeroes,
and Iceland began later and has begun to produce major results.
Little of this information has been available to English-speaking
audiences, and none of the archaeological evidence of Viking and
Norse settlement in the North Atlantic has ever been seen in North
America. While some of the scholarly and popular publications
devote a few pages to Viking history in the North Atlantic and
North America, their brief presentations do not include the
evidence of recent research. These new studies, including new
literary research into the Viking sagas, archaeological excavations
of Norse and Native sites, and historical and environmental
research, bring to life an exciting new picture of a portion of the
Viking world that has until recently been neglected and
unknown.
Preserving the Vision of a
Distant Past
The exhibition begins with a
presentation of Viking history and culture in Scandinavia and its
expansion, discussed above, into Europe and the British Isles. It
then follows the early Viking pioneers who explored and settled the
Faeroes and Iceland c.860-870, illustrating their ships, navigating
techniques, and the various reasons why the West-Viking expansion
took place: these included the need to find new lands for their
expanding population and to seize the opportunities Viking
navigators perceived, as they discovered uninhabited islands that
were suitable for their stock-raising economy. One of the
opportunities was the lure of a different kind of "loot" - walrus
ivory which by this time had become more precious than gold in the
high courts and church chambers of Europe.
The Iceland portion of the
exhibition features the social and environmental changes that
occurred when Vikings arrived and began to set up a new society in
this land of fire and ice. The rapid peopling of the landscape, the
removal of its fledgling forests, and the installation of large
stocks of animals permanently transformed the island into what it
is today: an agrarian-industrial nation whose economic interests
and environmental resources must be carefully managed to avoid
ecological catastrophe. Here archaeological and natural science
give evidence of the failed Norse colonies in Greenland and of the
changes Vikings brought to the Faeroes and Icelandic landscapes
soon after landnam. These serve as a reminder of the cost of
over-exploitation in a part of the world where climatic cooling can
have devastating effects. Iceland also exemplifies how a Viking
population welded a new nation out of Celtic and Norse immigrants,
and then adapted a system of Nordic selfgovernment, based on
community assemblies, that has been a model of modern democracy,
dating back to the first general assembly at Thingvellir in 930.
But perhaps the greatest contribution to emerge from Iceland was
the recording and preservation of the sagas. This facet of the
Viking world is presented dramatically in the exhibition in a
dedicated "saga theater" in which the sagas relating to the
discovery of America are staged in sound and light in a simulated
Icelandic longhouse.
Sailing Ever
Westward
Iceland was also the staging point
for the final series of Viking expansions that led to Eric the
Red's discovery and settlement of Greenland, and the extension of
that effort further west into North America. Recent archaeological
work not only offers a window into the four-hundred year span of
Norse Greenland (985-1450); it has also given us exciting new
information about Viking voyages to Vinland. Evidence for the
latter is presented from cartography and archaeology and includes a
reconstruction of the Viking site discovered by Helge Ingstad and
Anne Stine Ingstad at L'Anse aux Meadows in northern Newfoundland.
This portion of the exhibition includes new information about
contacts between the Norse and various Native American groups
(Indian, Dorset, and Thule culture); it suggests the Norse may have
been trading for ivory as well as gathering timber from Markland
(Labrador) and that their voyages to America continued for several
hundred years after the Vinland voyages ceased in the early 11th
century and were confined largely to the Arctic regions of
northeastern North America. It now appears that Norse activities in
North America were much more extensive than previously
believed.
Finally, the exhibition deals with
the controversial question, "Where was Vinland?" and the many
claims and counter-claims made about Viking landings in America.
Some of these theories have been based solely on interpretations
from the Vinland sagas, while others are tied to reputed Viking
artifact finds such as the Kensington Stone, found in Minnesota in
1898. Although once exhibited by the Smithsonian as a genuine relic
of a 1362 Norse exploring expedition, scholars today believe it was
created by a Swedish immigrant farmer as a practical joke. More
romantic is the story of the Newport Tower in Rhode Island, once
described by Henry Wadsworth Longfellow in his 1841 epic poem, The Skeleton in Armor, as a "lofty bower" built by a
wandering Viking for his lost love. Carl Christian Rafn, a Danish
scholar of that day, believed that the tower and many otherwise
unexplainable archaeological traces in New England attested to a
former Viking presence in America. Even the mythical city of
Norumbega, thought to lie along the Charles River near Boston, was
once thought to have been founded by a lost colony of Vikings.
Finally, there is the more recent controversy over Yale's "Vinland"
map, supported by a few (at Yale) as a genuine 15th century
document but thought by almost everyone else to be a 20th century
creation.
Affirming the Viking Legacy in
North America
Although none of these theories or
claims have withstood scientific study, discovery of a Viking coin
dating to the reign of Olaf Kyrre (1 065-1 080) at the Goddard
site, an Indian village on the coast of Maine occupied during the
Viking period, leaves open the possibility of startling new Viking
finds. So far, no true runestones and no other Viking settlements
than that found in Newfoundland have been uncovered. That site,
which was excavated by Birgitta Wallace for Parks Canada after the
Ingstads worked there, seems likely to have been the camp
established by Leif Eriksson and perhaps also by Thorfin Karsefni
and his wife Gudrid, whose child, Snorri, has the honor of being
the first European born in the the New World.
The Viking legacy of discovery and
exploration in America, of pioneering new adaptations in the
rigorous North Atlantic, and of artistic and literary creations
that have enriched humanity is a story that has been too long
hidden in archives and beneath the soil. Vikings: the North
Atlantic Saga brings these and many other tales of the
West-Vikings to prominence in a beautiful and dramatic exhibition
that will tour North America for two years after its opening at the
National Museum of Natural History in Washington, D.C. The
exhibition has been planned since 1997 in collaboratiog,with the
Nordic Council of Ministers, Volvo, and other sponsors as a
millennium program to commemorate the Viking expansion across the
North Atlantic. A catalogue will be available, with a
preface by Hillary Rodham Clinton and contributions from more than
30 Viking scholars.
Certainly we have not heard the
last cry of the Vikings in North America! While this exhibition
will no doubt contribute to a more informed recognition of the
Vikings'role in North America, the Viking icon in Europe and
America seems certain to remain a powerful symbol of this dynamic
culture for years - if not centuries - to come.
William W. Fitzhugh is
Senior Curator of Vikings: the North Atlantic Saga, and
Director of the Arctic Studies Center of the National Museum of
Natural History, which is part of the Smithsonian Institution in
Washington, D.C. He edited the exhibition catalogue with Elisabeth
I. Ward.
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